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Witness: Memory, Representation, and the Media in Question
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Witness: Memory, Representation, and the Media in Question
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Overview
Product Details
ISBN-13: | 9788763504256 |
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Publisher: | Museum Tusculanum Press |
Publication date: | 09/05/2008 |
Pages: | 420 |
Product dimensions: | (w) x (h) x 1.10(d) |
About the Author
Table of Contents
ForewordUlrik Ekman
Addressing the Witness
Welcome: Witness
Ulrik Ekman
I. Witnessing in Contemporary Literature
Witnessing the Loss and Trauma of History in Antanas Škema’s “Isaac”
Victoria Carlemalm
War, Subjectivity, and the Notion of Witnessing in Kazuo Ishiguro’s Novel “A Pale View of Hills”
Dorothee Birke
When We Don’t Speak, We Become Unbearable, and When We Do, We Make Fools of Ourselves. Can Literature Bear Witness?
Herta Müller
Attestation and Representation in German Pop Literature
Sofie Nielsen
II. Memorization
Memory’s Perspective in Ian McEwan’s “Enduring Love”
Michael Basseler
Anamnesis: Poetics of Shelving
Rubén de la Nuez
Hieroglyph of an Epoch: A Metaphor of Memory in the Works of the Austrian-Jewish Writer and Psychoanalyst Anna Maria Jokl
Nikola Herweg
Memorial Cultures and Literary Studies: Concepts and Functions of Memory as a Challenge to Research on Witnessing
Ansgar Nünning
III. Postcolonial Identity Formations
Women’s Travel Writing of the Black Atlantic and the Cultural Memory of Slavery. Ellen Ombre’s “Wie goed bedoelt”
Sarah De Mul
Witnesses, Collective Memory, and British National Identity
Vera Nünning
IV. Traumatic Experience
The Amnesiac Flashback: Theories, Fiction, and Trauma
Kerstin Bergman
History as False Witness: Trauma, Politics, and War
Cathy Caruth
Torture during the Algerian War of Liberation: The Perpetrator with a Human Face in Maïssa Bey’s “Entendez-vous dans les montagnes…”
Désirée Schyns
The Transformation of Memories: The Witness as a Survivor and as a Suffering Victim
Annette Storeide
V. Making Images
What Counts as True? Pictures and Fiction in W.G. Sebald
Seth Kim-Cohen
The Russian Avant-Garde in memoriam
Charlotte Greve
Witnessing the “Road Kill”: Police Photographs in Art
Ricarda Vidal
VI. Moving Images
“Memory is Treachery”: Witnessing, Memory, and Unreliable Narration in Christopher Nolan’s Film “Memento”
Eva Laass
The Unseen of the Real: Or, Evidential Efficacy from Muybridge to “The Matrix”
Eivind Røssaak
The Event and Its Record: Witnessing and Media Re-Presentations
Susanne Ø. Sæther
VII. Monument/Ruin
Concrete Thought and the Narrative Wall: Graffiti - Monument and Ruin
Louise Höjer
The Subject of Immigration
Nick Lambrianou
Expanding Field(s) of Witnessing
Aaslaug Vaa
VIII. Art, Aesthetics, Critique, and the Intellectual
Representing Evil. A Comment on the Intellectual and Artistic Use of Pictures from the War on Terrorism
Henrik Holm
The Blinded Eyewitness
Rasmus Øhlenschlæger Madsen
An Art After: Testimony in Christian Boltanski
Jacob Lund Pedersen
IX. Visual Culture I - Staging
Overlooking
Steven Connor
Witnessing the Catastrophe: The Media-Specific Staging of 9/11 in Monica Ali’s “Brick Lane” and Spike Lee’s “25th Hour”
Stefanie Hoth
Staging the Hybrid - Some Considerations Regarding Contingent Art Forms and the Expert Witness
Morten Søndergaard
Witnessing at War: The Belligerent Gaze
Mikkel Bruun Zangenberg
X. Visual Culture II - Body, Performance, Drama
Limits in Suspension: On “Memoria” by Bill Viola
Alena Alexandrova
Spectatorship in the Theatre: Negotiations between the Audience as Witness and the Performer as Confessor in the Theatre of “Forced Entertainment”
Janine Hauthal
Solid Sea: Performing the Witness in the Work of Multiplicity
Camilla Jalving
XI. Listening - Voice, Sound, Noise, and Silence
Witnessing and Mediation of the Hindenburg Event in Andreas Ammer and FM Einheit’s Radio Play “Crashign Aeroplanes” (2001)
Bodil Børset
The Aesthetic Zero: A Condition for the Witnessing of Art-Situations
Mia Göran
Fighting the Spectres Haunting Europe - Wolfgang Koeppen’s Radio Essay “A Fragment of the Bull’s Skin” as a Case Study of Witnessing Fascism and the Memory of the Spanish Civil War in West-German Mass Media
Ansgar Warner
XII. Echographies - TV
Through the Eyes of Witnesses and the Media: Refracted Perceptions of the Holocaust in the War Crimes Trials of the 1960s
Nina Burkhardt
History, Media, and Memory - Three Discourses in Dispute?
Thomas Elsaesser
Technical Testimony: (Audio-)Visual Media as Witness
Guido Isekenmeier