Woman on the Edge
A moment on the subway platform changes two women's lives forever-a debut thriller that will take your breath away.

A total stranger on the subway platform whispers, “Take my baby.”

She places her child in your arms. She says your name.

Then she jumps...

In a split second, Morgan Kincaid's life changes forever. She's on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train.

Morgan has never seen this woman before, and she can't understand what would cause a person to give away her child and take her own life. She also can't understand how this woman knew her name.

The police take Morgan in for questioning. She soon learns that the woman who jumped was Nicole Markham, prominent CEO of the athletic brand Breathe. She also learns that no witness can corroborate her version of events, which means she's just become a murder suspect.

To prove her innocence, Morgan frantically retraces the last days of Nicole's life. Was Nicole a new mother struggling with paranoia or was she in danger? When strange things start happening to Morgan, she suddenly realizes she might be in danger, too.

Woman on the Edge is a pulse-pounding, propulsive thriller about the lengths to which a woman will go to protect her baby-even if that means sacrificing her own life.
1132189119
Woman on the Edge
A moment on the subway platform changes two women's lives forever-a debut thriller that will take your breath away.

A total stranger on the subway platform whispers, “Take my baby.”

She places her child in your arms. She says your name.

Then she jumps...

In a split second, Morgan Kincaid's life changes forever. She's on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train.

Morgan has never seen this woman before, and she can't understand what would cause a person to give away her child and take her own life. She also can't understand how this woman knew her name.

The police take Morgan in for questioning. She soon learns that the woman who jumped was Nicole Markham, prominent CEO of the athletic brand Breathe. She also learns that no witness can corroborate her version of events, which means she's just become a murder suspect.

To prove her innocence, Morgan frantically retraces the last days of Nicole's life. Was Nicole a new mother struggling with paranoia or was she in danger? When strange things start happening to Morgan, she suddenly realizes she might be in danger, too.

Woman on the Edge is a pulse-pounding, propulsive thriller about the lengths to which a woman will go to protect her baby-even if that means sacrificing her own life.
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Woman on the Edge

Woman on the Edge

by Samantha M. Bailey

Narrated by Katherine Fenton

Unabridged — 8 hours, 25 minutes

Woman on the Edge

Woman on the Edge

by Samantha M. Bailey

Narrated by Katherine Fenton

Unabridged — 8 hours, 25 minutes

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Overview

A moment on the subway platform changes two women's lives forever-a debut thriller that will take your breath away.

A total stranger on the subway platform whispers, “Take my baby.”

She places her child in your arms. She says your name.

Then she jumps...

In a split second, Morgan Kincaid's life changes forever. She's on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train.

Morgan has never seen this woman before, and she can't understand what would cause a person to give away her child and take her own life. She also can't understand how this woman knew her name.

The police take Morgan in for questioning. She soon learns that the woman who jumped was Nicole Markham, prominent CEO of the athletic brand Breathe. She also learns that no witness can corroborate her version of events, which means she's just become a murder suspect.

To prove her innocence, Morgan frantically retraces the last days of Nicole's life. Was Nicole a new mother struggling with paranoia or was she in danger? When strange things start happening to Morgan, she suddenly realizes she might be in danger, too.

Woman on the Edge is a pulse-pounding, propulsive thriller about the lengths to which a woman will go to protect her baby-even if that means sacrificing her own life.

Editorial Reviews

Publishers Weekly

★ 01/27/2020

At the start of Bailey’s nail-biting debut, new mother Nicole Markham approaches social worker Morgan Kinkaid on a Chicago subway platform and urges Morgan to take her baby. Morgan, whose husband, Ryan, recently committed suicide after being convicted of embezzlement, doesn’t recognize the woman, yet Nicole calls her by name. Just after Nicole tosses the baby into Morgan’s arms, she jumps to her death in front of a moving train. Morgan, in her effort to understand what motivated Nicole to kill herself, discovers that a baby died under Nicole’s care when she was working as a nanny. The baby’s mother, blaming Nicole, sent her threatening letters, even though the coroner ruled it was a case of sudden infant death syndrome. Meanwhile, Det. Karina Martinez, who earlier investigated Ryan’s suicide and always believed Morgan conspired in Ryan’s embezzlement, investigates Nicole’s death; Karina suspects Morgan of pushing Nicole onto the tracks because Morgan was desperate for a child of her own. The tension becomes unrelenting as Morgan unravels Nicole’s story. Fans of psychological suspense are in for a treat. Agent: Jenny Bent, Bent Agency. (Mar.)

From the Publisher

A fast-moving thriller with satisfying twists.”
Toronto Star

“Bailey has talent and I, dear reader, am looking forward to her next novel.”
The Globe and Mail

“One woman’s struggles with motherhood and another’s desperate desire to be a mother collide in this explosive debut. Woman on the Edge is a white-knuckle read that welcomes a bright new talent to the world of psychological suspense.”
MARY KUBICA, New York Times bestselling author of The Good Girl

“[A] nail-biting debut. . . . The tension becomes unrelenting . . . Fans of psychological suspense are in for a treat.”
Publisher's Weekly (Starred review)

Woman on the Edge begins with a shocking, tragic event and doesn’t stop there. Samantha M. Bailey has written an impressive debut that will keep you reading until the final twist.”
— SAMANTHA DOWNING, USA Today bestselling author of My Lovely Wife

“From its first chapter—its first line!—Woman on the Edge will grip you like so few novels manage to do. From the moment two women’s lives collide on a subway platform to the shocking finale, you’ll be dizzied by the twists and turns the story takes. Some writers toil their entire career trying to master this kind of adept plotting, but Samantha M. Bailey nails it in her first effort. Woman on the Edge stayed with me for days after I turned its final pages. A truly thrilling debut.”
AMY STUART, bestselling author of Still Here

“A fast-paced, twisty rollercoaster ride in which a desperate widow, a guilt-ridden new mother, and the secrets of the past collide—with a baby’s life hanging in the balance. . . . I couldn’t race to the end quickly enough! An exciting, binge-worthy debut.”
KRISTIN HARMEL, bestselling author of The Book of Lost Names

“A shocking premise and two intriguingly damaged characters whose storylines hurtle toward each other, colliding in a powerful, moving climax. A propulsive read! Samantha M. Bailey is a writer to watch in the thriller genre.”
ROBYN HARDING, #1 bestselling author of The Swap

A propulsive beginning grabs the reader by the throat, but it’s the unspooling of the plot and the layers of Bailey’s characters that keep you turning the pages.”
LISA UNGER, New York Times bestselling author of Confessions on the 7:45

“A tale so tightly told that you won’t swallow or exhale for the entire duration. Dark, riveting, utterly gripping. . . . Bailey is a new name to watch in the genre!”
ROZ NAY, bestselling author of Hurry Home

Exhilarating and evocative. . . . Woman on the Edge had me gripped. This book effortlessly ticks all the boxes: wonderful world building, realistic characters and a gripping plot that made me keep flipping the pages. It’s about obsession and madness, motherhood and trauma. This is a debut you’ll want to slip straight to the top of your to-read pile!
— CHRISTINA MCDONALD, USA Today bestselling author of The Night Olivia Fell

“Readers, clear yourself a block of time for this one, because once you pick up Woman on the Edge, you won’t want to set it down. From its breathless first chapter to its startling conclusion, Bailey is in control, delivering a gripping plot, palpable tension, and characters pushed ever closer to the brink in this unmissable debut.”
PAULA TREICK DEBOARD, critically acclaimed author of Here We Lie and The Drowning Girls

Woman on the Edge opens with an ingenious setup: a woman on the subway hands her baby to a total stranger, then jumps in front of an oncoming train. But were they really strangers, and did she really jump? Suspicions swirl in this propulsive debut, and the truth is revealed in twisty, page-turning increments that culminate in a whopper of an ending. A clever and addictive read from a bright new talent.
KIMBERLY BELLE, USA Today bestselling author of Dear Wife

Product Details

BN ID: 2940173510303
Publisher: Simon & Schuster
Publication date: 11/26/2019
Edition description: Unabridged

Read an Excerpt

Chapter One: Morgan

CHAPTER ONE MORGAN
Monday, August 7

“Take my baby.”

I flinch at the brittle, scratchy voice. I’m standing on the subway platform as I do every day after work, waiting for the train to come. I used to try to smile at people, but I’m warier now. Ever since my husband, Ryan, died, no one knows how to act around me, and I don’t know how to act around them. I usually keep to myself, head down, which is why the voice surprises me.

I look up. I thought the woman was talking to a friend, but she’s not. She’s disheveled, wearing faded black yoga pants and a stained white T-shirt. She’s alone, and she’s talking to me.

She clutches a sleeping baby to her chest with one arm. She knows she has my attention now. She presses up against me, and my purse bangs into my side. Then she digs sharp nails into my bare wrist. “Please, take my baby.”

Icy fingers of fear run up my back despite the sweltering heat inside Grand/State station. The woman is on edge, and so am I—literally, at least. I always stand on the edge of the platform so I can be first on the train. One hard push is all it would take for me to fall onto the tracks. As bleak as the last eighteen months have been, no matter how ostracized I’ve become after Ryan’s suicide, I’ve made a new life for myself. I don’t want it to end here.

I gently extract my arm from her tight grip. “Sorry, could you ...”

She steps even closer to me, so close that I’m on the blue strip. Her eyes are wild, lips so bloody and raw, like she’s been chewing on them. She clearly needs help. I pull my long black hair around my face, lower my gaze to the gray speckled tiles, and say, “We should step back a bit. Here.” I put a hand out to guide her away from the edge, but she won’t move.

She’s making me so nervous. As a social worker, I recognize the signs of distress, signs I should have noticed in Ryan. If I hadn’t been the loyal, obtuse, willfully blind wife I never thought I’d become, my husband might have turned himself in and gotten help before it was too late. He might have realized that even though he’d be found guilty of embezzlement, there were worse things to lose. Like life itself. If I’d noticed anything ahead of time, I might not be paying for the crimes I didn’t even know he’d committed until he was dead.

I might even be a mother myself now, like this woman in front of me.

She looks awful. Clumps of matted dark curls stick out haphazardly from her scalp as though her hair has been hacked with a chain saw. I look away quickly.

“I’ve been watching you,” she says to me in a strangled voice.

She squeezes the sleeping baby so tightly, too tightly, and I fear for the safety of the child. The woman’s eyes—ringed with such dark circles it’s like she’s been punched—flick back and forth.

“Are you looking for someone? Is someone supposed to meet you here?” Then I curse myself for getting involved when I should just give her my boss Kate’s number at Haven House, the women’s shelter I work for. I’m not the lead counselor and head advocate at the shelter anymore. I’ve been demoted to office manager. I wish I’d never met Ryan. I wish I’d never fallen for his crooked smile and self-deprecating humor. And I have no recourse. I still have a job. I did nothing wrong, yet I lost so much, including everyone’s faith in me. My faith in myself.

She is not my client to counsel. Who am I to counsel anyone?

Her haunted eyes land back on me, and on her gaunt face is a look of pure terror. “Keep her safe.”

The baby is fast asleep, her tiny nose and mouth pressed too closely to her mother’s chest. She’s unaware of her mother’s suffering. I feel myself unwittingly absorbing this woman’s pain, even though I have enough of my own to contend with. I’m about to give her the shelter phone number when she speaks again.

“I’ve been watching you for a long time. You seem like a nice woman. Kind. Smart. Please, Morgan.”

My head jolts back in shock. Did she just say my name? It’s impossible. I’ve never seen her before in my life.

The woman kisses her baby’s tufts of hair, then stares at me again with those piercing blue eyes. “I know what you want. Don’t let anyone hurt her. Love her for me, Morgan.”

I know what you want?

“How can you possibly know anything about me?” I say, but my voice is drowned out by an announcement to stay back from the platform’s edge. The woman’s cracked lips move again, but I can’t hear her over the wind roaring through the tunnel.

I’m truly panicked now. Something about all of this just isn’t right. I feel it in my gut. I need to get away from this woman.

People surround us, but they don’t seem to notice that something strange is going on here. They are commuters in their own world, as I was just a few minutes ago.

The woman’s eyes sweep the platform once again. Then her arms reach out. She launches her baby toward me; my hands catch the infant by instinct. I look down at the child in my arms, and I tear up. The yellow blanket she’s wrapped in is so soft against my skin, the baby’s face serene and content.

When I look back up at her mother a second later, the train is shrieking into the station.

And that’s when she jumps.

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