Publishers Weekly
★ 03/11/2019
Ballingrud (North American Lake Monsters) offers six skillfully created, deeply disturbing stories in this collection of the uncanny. In “The Butcher’s Table,” original to this volume, a 19th-century ship bears diabolist Martin Dunwood of the Candlelight Society and his bodyguard, Rufus Gully, on a journey to the borders of hell. The title is the name of the ship, and also refers to the sacrifices Dunwood and Gully’s fellow Satanists plan to offer upon arrival—if they can evade supernatural pursuit and survive infighting long enough to reach their destination. “The Diabolist,” a short, sharp, nasty story of metaphysics and monstrous relationships, is a standout. “The Visible Filth,” the basis for the forthcoming film Wounds, is a contemporary tale of a slowly creeping, inevitable surrender to horrors discovered via a forgotten cellphone in a New Orleans bar. “The Maw” is an even darker vision of a metropolitan area lost to unnatural denizens. Ballingrud occasionally includes horrific actions simply for their own sake, which may frustrate readers looking for deeper meanings, but his evocative and strangely beautiful descriptions of the grotesque and terrible are sure to linger long after they are read. (Apr.)
Aurealis
Ballingrud writes darkness with such allure.
Washington Post
Best Horror Fiction of the Year selection
Victor LaValle
Nathan Ballingrud is one of my favorite contemporary authors and any time he’s got a new book out I run to the front of the line. His work is elegant and troublingly, wonderfully disturbing.
Winnipeg Free Press
"Ballingrud has secured his place as a formidable voice and talent. A wonderfully disturbing delight."
Paul Tremblay
Nathan Ballingrud's brilliant fiction brims with imagination, integrity (I do not use that term lightly), and an authentic world-weary dread that bores directly into your heart. With Wounds you'll gladly follow Nathan to Hell and (maybe) back."
From the Publisher
Stretch[es] the boundaries of the genre by employing these grand, horrific worlds. “The Butcher’s Table” reminds me of the first time I read Clive Barker’s “In the Hills, the Cities.” It’s horrifying, but there’s beauty."—The New York Times
"In only two slender collections, Nathan Ballingrud has emerged as one of the field’s most accomplished short story writers.”—The Washington Post
-- Paul Tremblay
Nathan Ballingrud's brilliant fiction brims with imagination, integrity (I do not use that term lightly), and an authentic world-weary dread that bores directly into your heart. With Wounds you'll gladly follow Nathan to Hell and (maybe) back."
-- Victor LaValle
Nathan Ballingrud is one of my favorite contemporary authors and any time he’s got a new book out I run to the front of the line. His work is elegant and troublingly, wonderfully disturbing.
Washington Post
Best Horror Fiction of the Year selection