Writing History in Late Imperial Russia: Scholarship and the Literary Canon

Writing History in Late Imperial Russia: Scholarship and the Literary Canon

by Frances Nethercott
Writing History in Late Imperial Russia: Scholarship and the Literary Canon

Writing History in Late Imperial Russia: Scholarship and the Literary Canon

by Frances Nethercott

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Overview

It is commonly held that a strict divide between literature and history emerged in the 19th century, with the latter evolving into a more serious disciple of rigorous science. Yet, in turbaning to works of historical writing during late Imperial Russia, Frances Nethercott reveals how this was not so; rather, she argues, fiction, lyric poetry, and sometimes even the lives of artists, consistently and significantly shaped historical enquiry.

Grounding its analysis in the works of historians Timofei Granovskii, Vasilii Klyuchevskii, and Ivan Grevs, Writing History in Late Imperial Russia explores how Russian thinkers—being sensitive to the social, cultural, and psychological resonances of creative writing—drew on the literary canon as a valuable resource for understanding the past. The result is a novel and nuanced discussion of the influences of literature on the development of Russian historiography, which shines new light on late Imperial attitudes to historical investigation and considers the legacy of such historical practice on Russia today.


Product Details

ISBN-13: 9781350130401
Publisher: Bloomsbury Academic
Publication date: 12/26/2019
Series: Library of Modern Russia
Pages: 296
Product dimensions: 6.14(w) x 9.21(h) x 0.69(d)

About the Author

Frances Nethercott is Reader in Modern European History at the University of St. Andrews, UK. She is the author of Une rencontre philosophique: Bergson en Russie, 1907-1917 (1995), Russia's Plato: Plato and the Platonic Tradition in Russian Education, Science and Ideology, 1840-1930 (2000) and Russian Legal Culture Before and After Communism (2007). She also serves on the editorial board of Studies in East European Thought and is a member of the international board of History of European Ideas.

Table of Contents

Introduction
1. Between State Patronage and Oversight: Developments in History as a University Discipline
2. The Scholar-Artist: Master Historians and their Literary Muses
3. Style: The Literary Cadences of Russian Historical Narrative
4. The Historian's Literary Toolbox: Portraiture
5. Literary Evidence: Realist Aesthetics and Historical Enquiry
6. Place: Excursion History and the Question of Literary Sites
7. The Historian's Literary Compass: Modern Poets and Novelists
8. Historical and Literary Historical Scholarship: A Hybrid Science?
Epilogue: The Forgotten Legacy
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