Yankee Twang: Country and Western Music in New England
Merging scholarly insight with a professional guitarist's sense of the musical life, Yankee Twang delves into the rich tradition of country & western music that is played and loved in the mill towns and cities of the American northeast. Scholar and musician Clifford R. Murphy draws on a wealth of ethnographic material, interviews, and encounters with recorded and live music to reveal the central role of country and western in the social lives and musical activity of working-class New Englanders.

As Murphy shows, an extraordinary multiculturalism sets New England country and western music apart from other regional and national forms. Once segregated at work and worship, members of different ethnic groups used the country and western popularized on the radio and by barnstorming artists to come together at social events, united by a love of the music. Musicians, meanwhile, drew from the wide variety of ethnic musical traditions to create the New England style.

But the music also gave—and gives—voice to working-class feeling. Murphy explores how the Yankee love of country and western emphasizes the western, reflecting the longing of many blue collar workers for the mythical cowboy's life of rugged but fulfilling individualism. Indeed, many New Englanders use country and western to comment on economic disenfranchisement and express their resentment of a mass media, government, and Nashville music establishment that they believe neither reflects their experiences nor considers them equal participants in American life.

"1119220648"
Yankee Twang: Country and Western Music in New England
Merging scholarly insight with a professional guitarist's sense of the musical life, Yankee Twang delves into the rich tradition of country & western music that is played and loved in the mill towns and cities of the American northeast. Scholar and musician Clifford R. Murphy draws on a wealth of ethnographic material, interviews, and encounters with recorded and live music to reveal the central role of country and western in the social lives and musical activity of working-class New Englanders.

As Murphy shows, an extraordinary multiculturalism sets New England country and western music apart from other regional and national forms. Once segregated at work and worship, members of different ethnic groups used the country and western popularized on the radio and by barnstorming artists to come together at social events, united by a love of the music. Musicians, meanwhile, drew from the wide variety of ethnic musical traditions to create the New England style.

But the music also gave—and gives—voice to working-class feeling. Murphy explores how the Yankee love of country and western emphasizes the western, reflecting the longing of many blue collar workers for the mythical cowboy's life of rugged but fulfilling individualism. Indeed, many New Englanders use country and western to comment on economic disenfranchisement and express their resentment of a mass media, government, and Nashville music establishment that they believe neither reflects their experiences nor considers them equal participants in American life.

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Yankee Twang: Country and Western Music in New England

Yankee Twang: Country and Western Music in New England

by Clifford R. Murphy
Yankee Twang: Country and Western Music in New England

Yankee Twang: Country and Western Music in New England

by Clifford R. Murphy

Hardcover(1st Edition)

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Overview

Merging scholarly insight with a professional guitarist's sense of the musical life, Yankee Twang delves into the rich tradition of country & western music that is played and loved in the mill towns and cities of the American northeast. Scholar and musician Clifford R. Murphy draws on a wealth of ethnographic material, interviews, and encounters with recorded and live music to reveal the central role of country and western in the social lives and musical activity of working-class New Englanders.

As Murphy shows, an extraordinary multiculturalism sets New England country and western music apart from other regional and national forms. Once segregated at work and worship, members of different ethnic groups used the country and western popularized on the radio and by barnstorming artists to come together at social events, united by a love of the music. Musicians, meanwhile, drew from the wide variety of ethnic musical traditions to create the New England style.

But the music also gave—and gives—voice to working-class feeling. Murphy explores how the Yankee love of country and western emphasizes the western, reflecting the longing of many blue collar workers for the mythical cowboy's life of rugged but fulfilling individualism. Indeed, many New Englanders use country and western to comment on economic disenfranchisement and express their resentment of a mass media, government, and Nashville music establishment that they believe neither reflects their experiences nor considers them equal participants in American life.


Product Details

ISBN-13: 9780252038679
Publisher: University of Illinois Press
Publication date: 09/22/2014
Series: Music in American Life
Edition description: 1st Edition
Pages: 288
Product dimensions: 6.00(w) x 9.10(h) x 0.90(d)

About the Author

Clifford R. Murphy was a member of the seminal New Hampshire alternative country bands Say ZuZu and Hog Mawl. He has a doctorate in ethnomusicology and is Director of Maryland Traditions, the folklife program of the Maryland State Arts Council.

Table of Contents

Acknowledgments ix

Prologue: Fieldnotes on the Dick Philbrook and the Frye Mountain Band Show xiii

Introduction: Reintroducing New England to the Country Music World 1

1 New England Country and Western Music and the Myth of Southern Authenticity 11

2 A History of New England Country and Western Music, 1925-1975 37

3 Finding Community in the New England Country and Western Event 105

4 Home on the Grange: The Frontier between "American" and "Immigrant" Worldviews in New England Country and Western 124

5 "It Beats Digging Clams": The Working Life of Country and Western Musicians in the Barnstorming Era 145

6 The New England Cowboy: Regional Resistance to National Culture 167

Epilogue: "Oh, You're Canadian": My Night as a Canadian American in Watertown, Massachusetts 183

References 187

Index 199

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