The Yellowjackets made a splash with their first record, an accessible mixture of
jazz,
rock, and
funk bearing the unmistakable mark of the L.A. session scene that spawned them. In fact,
the Yellowjackets had their roots in the sessions for
Robben Ford's 1979 album,
The Inside Story.
Russell Ferrante,
Jimmy Haslip, and
Ricky Lawson all appeared on that album and reenlisted
Ford's help for their own debut, with the guitarist's fluid soloing often taking the lead role. As fun an album as it is -- and there are times when the melodies rise to a joyful exuberance that recalls
Weather Report's
"Birdland" --
Yellowjackets isn't a true
fusion record.
Ricky Lawson provides
rock beats to the material,
Haslip's bass work is as funky as it is jazzy, and the arrangements tend to stick with the same grooves (as ingratiating as they may be) rather than explore the musical themes like an esoteric
jazz band might. The opening
"Matinee Idol" is as much
the Jackson 5 (one of
Lawson's previous gigs) as
fusion and
"Rush Hour" is jazzy in a
Steely Dan sense, while
"Sittin' in It" actually borrows from the old
funk classic
"For the Love of Money." There are some nice, chunky grooves that give the album a sense of substance (
"The Hornet," "Imperial Strut"), a wistful track in
"It's Almost Gone," and a neat melody tucked into
"Priscilla," all of which contribute to the album's charm. But compared to their
GRP recordings,
the Yellowjackets' debut does seem a little one-dimensional. If you enjoy the smooth, guitar-led
jazz from this period (e.g.,
Earl Klugh,
Lee Ritenour),
Yellowjackets is worth checking out, both for the upbeat melodies and
Ford's seemingly effortless solos. [The 2004
Rhino edition of
Yellowjackets includes four previously unissued demos, including one of
"Imperial Strut."] ~ Dave Connolly
