Jeff Beck returns two years after the ten-years-in-the-making
Who Else?, and
You Had It Coming isn't surprising just for its rapidity, but for its music. From the moment the electronicized, post-rave beats of
"Earthquake" kick off the record, it's clear that
Beck isn't content to stay in place -- he's trying to adapt to the modern world. To a certain extent, this isn't an entirely new phenomenon, since each of his records is clearly, inextricably of its time, from the crunching metal of
Truth through the breezy jazz fusion of
Blow By Blow to the modernized album rock of
Guitar Shop. This is just another side of that, as
Beck works with electronic music, both noisy and new age introspective. It's a bit clever, actually, since
Beck's playing has always been otherworldly, dipping, bending, and sounding like anything other than a normal guitar. The problem is, when he's surrounded by lockstep, processed beats and gurgling synths, his guitar doesn't leap to the forefront and capture attention the way it does on his best recordings. Still, there's something to be said for the effort, because even if it doesn't sound like a
Beck record, it isn't a bad record, and it's certainly a helluva lot more successful than
Clapton's similar forays into these waters. Besides, knowing that he knocked this out so quickly makes it a little endearing. ~ Stephen Thomas Erlewine
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