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Overview
Product Details
ISBN-13: | 9780380798421 |
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Publisher: | HarperCollins |
Publication date: | 04/02/2002 |
Series: | Britt Montero Mysteries , #7 |
Edition description: | Reprint |
Pages: | 368 |
Sales rank: | 305,970 |
Product dimensions: | 4.19(w) x 6.75(h) x 0.92(d) |
About the Author
Read an Excerpt
Chapter One
Hot sand sizzled beneath my feet. An endless turquoise sea stretched into infinity. Bright sailboats darted beyond the breakers, their colors etched against a flawless blue sky. Playful ocean breezes kissed my face, lifted my hair off my shoulders, and ruffled my skirt around my knees. The day was perfect, a day to die for. Too bad about the corpse bobbing gently in the surf.
She appeared serene, a drifting, dreaming mermaid, narrow-waisted and full-breasted, with long slim legs: an enchanting gift from the deep. She wore seaweed in her hair, which was long and honey-colored, streaked by brilliant light as it swirled like something alive just beneath the water's glinting surface.
Had she been caught by the rip current, that fast-moving jet of water that races back to the sea, or did she plunge from a cruise ship or a party boat? Perhaps she was a tourist who went wading, unaware of the sharp drop-off only a few feet from shore. But if so, why was she naked?
Clearly she was no rafter drowned in a quest for freedom and a new life, or gold chains and designer jeans. Her fingertips and toenails gleamed with a pearly luster, as though polished to perfection by the tides. This woman appeared to have lived the good life. None of the grotesqueries that the sea and its creatures inflict on the dead had overtaken her yet. Obviously she had not been in the water long.
I had overheard the initial radio transmission on the "floater" while working on a story at Miami Beach police headquarters. My ears had perked up. My name is Britt Montero, and I cover the police beat in this city where everything is exaggerated, where colors are too vividto be real, where ugly is uglier, beautiful is breathtaking, and passions run high. Every day on this job, I see new faces. Many are dead. My mission is to chronicle their stories and preserve them permanently -- on the pages of the newspaper of record, in our files, and on our consciousness, forever.
My editors at the Miami News share a somewhat different view of my job description. As a result, I had been dutifully poring through tall gray stacks of computer printouts in the police public information unit. The art department planned a locator map for Sunday's paper, to accompany my piece on the crime rate. My task was to compile the crime statistics zone by zone and identify the scene of every rape, murder, armed robbery, and aggravated assault.
I hate projects based on numbers. If words are my strength, decimal points are my weakness. Calculating the number of violent crimes per hundred thousand population has always been problematic for me. Is it 32 crimes per 100,000, 320 or 3.2? A live story on a dead woman is infinitely more intriguing.
Studying the body more closely, I could see that we shared characteristics in common. We were close in age and appearance. My plans, to bodysurf and sunbathe today along this same sandy stretch, had been ruined by the DBI (Dull But Important) project I had agreed to complete on my day off Her plans had also been ruined. All of them. Permanently. Some quirk of fate had delivered us both to the coastal strip I had yearned for, sun on my shoulders, sea breeze in my hair -- but it wasn't the day at the beach either one of us had in mind.
Along with a lifeguard, two uniformed cops, and a growing crowd, I watched a detective trudge toward us across the sand. Emery Rychek was an old-timer, one of the few holdouts who had not opted for guayaberas when Miami Beach police dress codes were relaxed. Unlit cigar clenched between his teeth, his white shirt open at the throat, his shapeless gabardine jacket flapping in the breeze, Rychek handled more than his share of deaths, most of them routine. Young cops want sexier calls, not grim reminders of their own mortality. Rychek never seemed to mind the unpleasant tasks that come with a corpse.
"So, you beat me here, Britt," he acknowledged, his voice a gravelly rumble.
"I was at the station, working on a story about the crime rate. I heard it go out."
Rychek chewed his cigar. His smelly stogies often came in handy, to mask the stench of corpses gone undiscovered too long, though colleagues routinely debated which odor was more nauseating. No need for him to light up here. This corpse was as fresh as the sea air.
"Well, lookit what washed up." He appraised her for a moment, fierce eyebrows raised in mock surprise, then turned to the cops. "Whattaya waiting for, the tide to go out and take her with it?"
"Thought maybe we should leave her like she was till you guys took a look," one said.
Rychek shook his head in disgust as the two cops stripped off their shoes and socks, rolled up their pant legs, pulled on rubber gloves, and waded gingerly into the sun-dappled shallows. Green water streamed from her hair as they dragged her ashore. Her pale half-open eyes stared hopefully at the sky, her expression reverent. Her only adornment was a gold earring, the delicate outline of a tiny open heart.
Excellent, I thought. Distinctive jewelry is a good start for those of us trying to identify the dead. But this woman's youth and beauty guaranteed she'd be no lost soul. I dreaded the cries of her loved ones, sure to appear momentarily, frantic with grief, hearts breaking.
“A great body is a terrible thing to waste,” one of the cops muttered.
Rychek ignored him, as he straddled the naked woman, cigar still clenched between his teeth. He grunted as he tugged her pale form one way, then the other, seeking wounds or identifying marks. I watched, painfully aware that there is no modesty, no privacy in...
You Only Die Twice. Copyright © by Edna Buchanan. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.