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A lavish exploration of Sargent's relationship to fashion, featuring exquisite costumes from the Gilded Age

"The coat is the picture," John Singer Sargent explained to his fellow artist Graham Robertson in the summer of 1894, tugging a heavy garment ever more tightly around his sitter's slender figure. More attentive to what he hoped to accomplish as a painter than he was to the dictates of contemporary fashion, Sargent often chose what his sitters would wear. Even when they came to him dres...