Performing Copyright: Law, Theatre and Authorship

Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter—connected questions: who is the author and first owner of a dramatic work? Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re—use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright in...