Southern Man: Music & Mayhem In The American South: A Memoir

“We developed reputations real fast. We treated our entertainers right. We got them paid. Other agents and promoters and managers showed them the money. We got them the money. We brought respect to the African American artist in America. We brought them prestige. We really cared about our artists and those who worked for us, and it was obvious because we fought like hell for them. So when you listen to some of that music today—an Otis Redding record or Percy Sledge or anyone from our shop—y...