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That's Brutal, What's Modern?: The Smithsons, Banham, and the Mies-Image

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A study of New Brutalism through the lens of Alison and Peter Smithson’s enduring interest in Mies van der Rohe.

In That's Brutal, What's Modern?: The Smithsons, Banham, and the Mies—Image, Mark D. Linder offers an original understanding of New Brutalism as a consequential and generative episode in the history of post—photographic imaging practices. This episode exemplifies and anticipates the kinds of cognition and intelligence that dominate architectural imagination today. Linder aims to...