Cliff Eberhardt may have come up on the same '80s East Coast singer/songwriter scene as
Shawn Colvin,
Lucy Kaplansky,
John Gorka, et al., but even from the beginning he had rock & roll -- and even pop -- aspirations. His early albums found him leaning toward
Springsteen-esque heartland rock and almost
John Waite-ish balladry as much as the folkish approach of his aforementioned peers, and his rough-edged voice and hook-centric songwriting made it all work. The further into his career he gets, however, the more he concentrates on spare, acoustic-based settings and slow, soulful ballads. Call it "maturity," "evolution," or "back to basics," the important thing is that he can pull it off a hell of a lot more convincingly than some straight-up rocker for whom the acoustic troubadour mode is an unprecedented step. On this, the eighth album of a recording career that began in 1990, the fiftysomething songwriter furthers the organic, as-close-to-live-as-possible approach of his preceding release,
The High Above and the Down Below, sounding completely at ease in this mode. Sometimes, as on
"Have a Little Heart" and a remake of
"The Long Road," the title track from his '90 debut album,
Eberhardt lays into a big, bold pop melody that wouldn't sound out of place being belted out by an
American Idol contestant (that's not a pejorative statement). But for the most part, his gritty, soul-soaked voice leans comfortably into more low-key constructions. Most of these songs have the feel of hard-earned wisdom from a man who has run life's emotional gauntlet and emerged with not just some trenchant, humbly offered observations, but the knowledge that the best way to put them across is a soft sell. ~ J. Allen
![The Very Best of Peter, Paul and Mary [Warner/Rhino]](http://prodimage.images-bn.com/pimages/0081227316129_p0_v2_s90x140.jpg "The Very Best of Peter, Paul and Mary [Warner/Rhino]")
