“Plundered Skulls and Stolen Spirits breaks new ground. Colwell’s dual roles of museum curator and human rights advocate offers a narrative of personal growth and professional practice that couples a humanist’s sensitivities with a historian’s insistence on primary documentary sources. The resulting breath of fresh air contributes mightily to still-controversial conversations about American reburial and repatriation. The message sounds loud and clear: Twenty-first century museums can indeed stand tall in addressing their own complex histories. Why do some still feel obliged to cover up past performance, to lock out qualified researchers from their archives and to sugar-coat their past in the hopes that nobody will notice?”
"A lightly written, insider's account of the battle over human remains and objects in museums. . . . As this book shows, the fight to reclaim Native America’s culture has been waged, in significant parts, by professionals such as Colwell. His is indeed an insider’s account—just not from the sidelines. He too has been on the battlefield."
"Colwell ably and sensitively tells the often conflict-ridden story of how and why museums in the US relinquished their hold over this material. . . . Colwell finds himself squarely in the middle of each quandary: a practising anthropologist who works alongside Native Americans every day and is sensitive to their cultural dynamics. Colwell’s account favours the Native American perspective—a sensible approach for a book aimed at scientifically literate readers who may lean the other way. Readers will come away with a deeper appreciation of Native American cultural imperatives and the complexity of the situation."
"This powerful book will be of particular importance to those working in museum and tribal settings, but is highly appropriate for anyone interested in cultural heritage and the legal efforts to manage claims for Native patrimony. Essential."
"Without ever descending into sensationalistic tones, the author exposes delicate facts about massacres, beliefs, desecrations, and illegal activities, deploying evidence with a measured distance that is difficult to argue against. Native American voices are given plenty of space to support their cases. They emerge as strong and determined and this is what the author wants us to perceive as a way to sensitise the public to the deep ethical implications that these, like many other cases, present us with. . . [Colwell] explicitly make[s] the theme of objects’ agency and personhood the core of [his] most poignant arguments about repatriation, ethics, and conservation."
"Plundered Skulls and Stolen Spirits is a sobering peek into the controversy that surrounds tribal artifacts and human remains found in museums throughout the United States. His eloquent narration details several unique cases of repatriation. . . . Colwell has a unique perspective. He provides the reader with a firsthand look at the repatriation process, sympathetically including tribal perspectives—something that few museum directors have sought to do when writing on this subject in the past."
01/09/2017
Colwell, senior curator of anthropology at the Denver Museum of Nature & Science, explores the fraught project of repatriating Native American sacred objects in this moving and thoughtful work. Drawing on his personal experiences navigating the repatriation process, as well as interviews with tribal leaders, Colwell outlines the historical, legal, and political entanglements surrounding the theft and eventual recovery of sacred items once displayed in American museums. Each of the book’s four sections focuses on artifacts belonging to a different Native people, tracing the respective repatriation journeys of Zuni sculptures that are also living gods, body parts from Cheyenne and Arapaho victims of the Sandy Creek massacre, a ceremonial Tlingit robe, and bones of the Calusa, whose extinction remains debated. With each story, Colwell attends to tensions between museum preservationists and living Native communities, emphasizing that repatriation is not an act, but a complex, emotional process. Along the way, he skillfully interweaves discussion of the Native American Graves Protection and Repatriation Act, which paved the way for coordinated Native recovery efforts. Colwell’s book raises provocative questions about who owns the past, and is surely an important work for curators—or anyone—interested in America’s treatment of its cultural legacy. (Mar.)
A careful and intelligent chronicle of the battle over Indian artifacts and the study of Indian culture.
"Plundered Skulls and Stolen Spirits is a sobering peek into the controversy that surrounds tribal artifacts and human remains found in museums throughout the United States. His eloquent narration details several unique cases of repatriation. . . . Colwell has a unique perspective. He provides the reader with a firsthand look at the repatriation process, sympathetically including tribal perspectives—something that few museum directors have sought to do when writing on this subject in the past."
“Plundered Skulls and Stolen Spirits uses the story of one museum to show how Native American symbols of identity and ceremony and ancestral bones were initially appropriated as objects of cultural patrimony, but recently have become part of a complicated struggle of ownership. As Colwell profoundly shows, the emotional price paid by everyone involved—Native American, archaeologist, and museum curator—is never small.”
“A careful and intelligent chronicle of the battle over Indian artifacts and the study of Indian culture.
"Colwell ably and sensitively tells the often conflict-ridden story of how and why museums in the US relinquished their hold over this material. . . . Colwell finds himself squarely in the middle of each quandary: a practising anthropologist who works alongside Native Americans every day and is sensitive to their cultural dynamics. Colwell’s account favours the Native American perspective--a sensible approach for a book aimed at scientifically literate readers who may lean the other way. Readers will come away with a deeper appreciation of Native American cultural imperatives and the complexity of the situation."
01/01/2017
During the 1800s, museums and universities amassed collections of cultural artifacts and remains of "exotic peoples," including Native Americans and Native Hawaiians. The federal government acknowledged that the remains of some Native Americans were being violated through the passage of the Antiquities Act of 1906, but the legislation proved largely symbolic. The Native American Graves Protection and Repatriation Act of 1990 (NAGPRA) finally gained Native peoples the right to have their sacred objects and remains of ancestors returned to them. Since its passage, NAGPRA has been criticized by some researchers who argue that the law has impaired scientific study by denying access to research materials. Colwell (senior curator of anthropology, Denver Museum of Nature and Science) has been caught in the maelstrom caused by NAGPRA as he had to find a way to protect his museum's collection while also meeting the legal and moral obligations to various Native communities. He demonstrates that the repatriation is not as simple as weighing freedom of religion vs. intellectual freedom, as there are even conflicts among Native groups over who is the rightful recipient of items or remains. VERDICT This work is highly recommended for readers interested in Native American studies or museums.—John R. Burch, Campbellsville Univ. Lib., KY
