The New York Times Book Review - Marjorie Ingall
…a page turner brimming with pop culture references and humor…I marveled at the balancing act between dead-serious politics and concerns familiar to kids and former kids of all backgrounds…there's plenty for readers of all ages to enjoy.
Publishers Weekly
★ 11/28/2016
At home in a neighborhood riven with gang strife, Starr Carter, 16, is both the grocer’s daughter and an outsider, because she attends private school many miles away. But at Williamson Prep, where she’s among a handful of black students, she can’t be herself either: no slang, no anger, no attitude. That version of herself—“Williamson Starr”—“doesn’t give anyone a reason to call her ghetto.” She’s already wrestling with what Du Bois called “double consciousness” when she accepts a ride home from Khalil, a childhood friend, who is then pulled over and shot dead by a white cop. Starr’s voice commands attention from page one, a conflicted but clear-eyed lens through which debut author Thomas examines Khalil’s killing, casual racism at Williamson, and Starr’s strained relationship with her white boyfriend. Though Thomas’s story is heartbreakingly topical, its greatest strength is in its authentic depiction of a teenage girl, her loving family, and her attempts to reconcile what she knows to be true about their lives with the way those lives are depicted—and completely undervalued—by society at large. Ages 14–up. Agent: Brooks Sherman, Bent Agency. (Feb.)
From the Publisher
As we continue to fight the battle against police brutality and systemic racism in America, THE HATE U GIVE serves as a much needed literary ramrod. Absolutely riveting!” — Jason Reynolds, bestselling coauthor of ALL AMERICAN BOYS
“Angie Thomas has written a stunning, brilliant, gut-wrenching novel that will be remembered as a classic of our time.” — John Green, bestselling author of The Fault in Our Stars
“Fearlessly honest and heartbreakingly human. Everyone should read this book.” — Becky Albertalli, William C. Morris Award-winning author of SIMON VS. THE HOMO SAPIENS AGENDA
“This is tragically timely, hard-hitting, and an ultimate prayer for change. Don’t look away from this searing battle for justice. Rally with Starr.” — Adam Silvera, New York Times bestselling author of MORE HAPPY THAN NOT
“With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family. This story is necessary. This story is important.” — Kirkus Reviews (starred review)
“Though Thomas’s story is heartbreakingly topical, its greatest strength is in its authentic depiction of a teenage girl, her loving family, and her attempts to reconcile what she knows to be true about their lives with the way those lives are depicted—and completely undervalued—by society at large.” — Publishers Weekly (starred review)
“Beautifully written in Starr’s authentic first-person voice, this is a marvel of verisimilitude as it insightfully examines two worlds in collision. An inarguably important book that demands the widest possible readership.” — Booklist (starred review)
“Pair this powerful debut with Jason Reynolds and Brendan Kiely’s ALL AMERICAN BOYS to start a conversation on racism, police brutality, and the Black Lives Matter movement.” — School Library Journal (starred review)
“The Hate U Give is an important and timely novel that reflects the world today’s teens inhabit. Starr’s struggles create a complex character, and Thomas boldly tackles topics like racism, gangs, police violence, and interracial dating. This topical, necessary story is highly recommended for all libraries.” — Voice of Youth Advocates (VOYA) (starred review)
“Thomas has penned a powerful, in-your-face novel that will similarly galvanize fans of Kekla Magoon’s How It Went Down and Jason Reynolds and Brendan Kiely’s All American Boys.” — Horn Book (starred review)
“Ultimately the book emphasizes the need to speak up about injustice. That’s a message that will resonate with all young people concerned with fairness, and Starr’s experience will speak to readers who know Starr’s life like their own and provide perspective for others.” — Bulletin of the Center for Children’s Books (starred review)
“In her debut novel, Angie Thomas creates what might be one of the decade’s most vivid voices in YA fiction. Though the appalling scenario depicted here is sadly familiar, Thomas’s clear and honest writing moves beyond sound bites to represent the real people and communities behind the headlines.” — Shelf Awareness (starred review)
“The story of Starr Carter, a 16-year-old who sees her childhood best friend fatally shot by a police officer, is compelling, thought-provoking, and conversation-enabling. One readers are sure to be talking about for a long time.” — Brightly
Booklist (starred review)
Beautifully written in Starr’s authentic first-person voice, this is a marvel of verisimilitude as it insightfully examines two worlds in collision. An inarguably important book that demands the widest possible readership.
John Green
Angie Thomas has written a stunning, brilliant, gut-wrenching novel that will be remembered as a classic of our time.
Horn Book (starred review)
Thomas has penned a powerful, in-your-face novel that will similarly galvanize fans of Kekla Magoon’s How It Went Down and Jason Reynolds and Brendan Kiely’s All American Boys.
Jason Reynolds
As we continue to fight the battle against police brutality and systemic racism in America, THE HATE U GIVE serves as a much needed literary ramrod. Absolutely riveting!
Becky Albertalli
Fearlessly honest and heartbreakingly human. Everyone should read this book.
Voice of Youth Advocates (VOYA) (starred review)
The Hate U Give is an important and timely novel that reflects the world today’s teens inhabit. Starr’s struggles create a complex character, and Thomas boldly tackles topics like racism, gangs, police violence, and interracial dating. This topical, necessary story is highly recommended for all libraries.
Adam Silvera
This is tragically timely, hard-hitting, and an ultimate prayer for change. Don’t look away from this searing battle for justice. Rally with Starr.
Bulletin of the Center for Children’s Books (starred review)
Ultimately the book emphasizes the need to speak up about injustice. That’s a message that will resonate with all young people concerned with fairness, and Starr’s experience will speak to readers who know Starr’s life like their own and provide perspective for others.
Brightly
The story of Starr Carter, a 16-year-old who sees her childhood best friend fatally shot by a police officer, is compelling, thought-provoking, and conversation-enabling. One readers are sure to be talking about for a long time.
Shelf Awareness (starred review)
In her debut novel, Angie Thomas creates what might be one of the decade’s most vivid voices in YA fiction. Though the appalling scenario depicted here is sadly familiar, Thomas’s clear and honest writing moves beyond sound bites to represent the real people and communities behind the headlines.
Bulletin of the Center for Children's Books (starred review)
Ultimately the book emphasizes the need to speak up about injustice. That’s a message that will resonate with all young people concerned with fairness, and Starr’s experience will speak to readers who know Starr’s life like their own and provide perspective for others.
Brightly.com
The story of Starr Carter, a 16-year-old who sees her childhood best friend fatally shot by a police officer, is compelling, thought-provoking, and conversation-enabling. One readers are sure to be talking about for a long time.
School Library Journal - Audio
★ 08/01/2017
Gr 9 Up—Starr has learned to adapt her personality to fit two worlds. "Garden Heights Starr" helps her ex-gangbanger father in his neighborhood grocery. "Williamson Starr" has a white boyfriend, and is one of the few black students at a tony prep school in an exclusive part of town. When gunshots ring out at a Garden Heights party, Starr and her friend Khalil leave. Soon after, Khalil makes an innocent but unanticipated move at a traffic stop, and Starr witnesses his death by a white officer. In the ensuing weeks and months, Starr deals with reactions: her own, her family's, and those of her inner-city neighbors and upscale private school friends. Starr's first-person narration creates an immediacy that draws listeners into the anger and grief.she is feeling, while also acknowledging that Khalil may have been involved with drugs and that gang activity is driving families out of Garden Heights. Debut author Thomas populates her story with true-to-life characters—flaws and all. Starr's family members are particularly well-drawn. Bahni Turpin perfectly captures dialect, cadence, and slang, providing each individual with nuanced tones. At times, Starr's voice is thoughtful and gentle; at others, it is spitting out four-letter words in frustration and outrage. VERDICT A thought-provoking, highly current, and worthy addition that will enhance most high school collections.—Maggie Knapp, Trinity Valley School, Fort Worth, TX
School Library Journal
★ 01/01/2017
Gr 8 Up—After Starr and her childhood friend Khalil, both black, leave a party together, they are pulled over by a white police officer, who kills Khalil. The sole witness to the homicide, Starr must testify before a grand jury that will decide whether to indict the cop, and she's terrified, especially as emotions run high. By turns frightened, discouraged, enraged, and impassioned, Starr is authentically adolescent in her reactions. Inhabiting two vastly different spheres—her poor, predominantly black neighborhood, Garden Heights, where gangs are a fact of life, and her rich, mostly white private school—causes strain, and Thomas perceptively illustrates how the personal is political: Starr is disturbed by the racism of her white friend Hailey, who writes Khalil off as a drug dealer, and Starr's father is torn between his desire to support Garden Heights and his need to move his family to a safer environment. The first-person, present-tense narrative is immediate and intense, and the pacing is strong, with Thomas balancing dramatic scenes of violence and protest with moments of reflection. The characterization is slightly uneven; at times, Starr's friends at school feel thinly fleshed out. However, Starr, her family, and the individuals in their neighborhood are achingly real and lovingly crafted. VERDICT Pair this powerful debut with Jason Reynolds and Brendan Kiely's All American Boys to start a conversation on racism, police brutality, and the Black Lives Matter movement.—Mahnaz Dar, School Library Journal
MARCH 2017 - AudioFile
Starr is from a gang-ridden neighborhood but attends a private, mostly white, school. Differences between these worlds widen when Starr is the sole witness of the murder of her childhood friend by a white policeman. Bahni Turpin’s narration of this scene is poignant and horrific as unarmed Kahlil questions the officer’s stopping him and the officer becomes aggressive and shoots him three times in rapid succession. Starr is haunted by the event. Her fear and anger illuminate culture clashes and disparities, injustice and racism. This gripping story is not just issues oriented. Turpin’s portrayals of all the characters are rich and deep, environments are evocatively described, and Starr’s fraught struggles to understand life’s complexities are believable. Many intense, difficult moments are relieved by the humor and the warmth of Starr’s unique family. S.W. Winner of AudioFile Earphones Award © AudioFile 2017, Portland, Maine
Kirkus Reviews
★ 2016-12-06
Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school. Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil's death becomes national news, where he's called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr's best friends at school. The police's lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil's death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr's natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family. This story is necessary. This story is important. (Fiction. 14 & up)
