Tonal Harmony / Edition 8

by Dorothy Payne, Byron Almen, Stefan Kostka

Overview

For a generation of professionals in the musical community, Tonal Harmony has provided a comprehensive, yet accessible and highly practical, set of tools for understanding music. With this new edition, twenty-first century technology meets a time-honored tradition. Now available in McGraw-Hill’s Connect® with SmartBook®, students are better equipped to understand and master the vocabulary of music efficiently,allowing them to move on more quickly to advanced musical skill-building.

Product Details

ISBN-13:	9781259447099
Publisher:	McGraw Hill LLC
Publication date:	02/13/2017
Edition description:	New Edition
Pages:	704
Sales rank:	727,360
Product dimensions:	8.30(w) x 10.30(h) x 1.40(d)
Age Range:	18 Years

Table of Contents

Part I: Fundamentals

Chapter 1: Elements of Pitch

Chapter 2: Elements of Rhythm

Chapter 3: Introduction to Triads and Seventh Chords

Chapter 4: Diatonic Chords in Major and Minor Keys

Part II: Diatonic Triads

Chapter 5: Principles of Voice Leading

Chapter 6: Root Position Part Writing

Chapter 7: Harmonic Progression

Chapter 8: Triads in First Inversion

Chapter 9: Triads in Second Inversion

Chapter 10: Cadences, Phrases, Periods, and Sentences

Chapter 11: Two-Part Tonal Counterpoint

Chapter 12: Non-Chord Tones 1

Chapter 13: Nonchord Tones 2

Part III: Diatonic Seventh Chords

Chapter 14: The V7 Chord

Chapter 15: Other Diatonic Seventh Chords

Part IV: Chromaticism

Chapter 16: Secondary Functions 1

Chapter 17: Secondary Functions 2

Chapter 18: Modulations Using Diatonic Common Chords

Chapter 19: Some Other Modulatory Techniques

Chapter 20: Binary and Ternary Forms

Part V: Chromaticism 2

Chapter 21: Mode Mixture and the Neapolitan

Chapter 22: Augmented Sixth Chords

Chapter 23: Enharmonic Spellings and Enharmonic Modulations

Chapter 24: Further Elements of the Harmonic Vocabulary

Chapter 25: Tonal Harmony in the Late Nineteenth Century

Part VI: An Introduction to Twentieth-Century Music

Chapter 26: Materials and Techniques

Chapter 27: Post-Tonal Theory