Zoom

by Istvan Banyai

Overview

As seen on the SERIAL podcast, season 2, episode 1 ("Dustwun")! 

Open this wordless book and zoom from a farm to a ship to a city street to a desert island. But if you think you know where you are, guess again. For nothing is ever as it seems in Istvan Banyai's sleek, mysterious landscapes of pictures within pictures, which will tease and delight readers of all ages. 

"This book has the fascinating appeal of such works of visual trickery as the Waldo and Magic Eye books." — Kirkus Reviews

"Ingenious."— The Horn Book

Product Details

ISBN-13:	9780670858040
Publisher:	Penguin Young Readers Group
Publication date:	03/01/1995
Pages:	64
Sales rank:	480,829
Product dimensions:	7.60(w) x 9.10(h) x 0.41(d)
Age Range:	5 - 8 Years

About the Author

Istvan Banyai (http://www.ist-one.com) was born and educated in Budapest, Hungary. He is a commercial illustrator and animator whose works has appeared in numerous newspapers and magazines and on album covers. Mr. Banyai lives in Connecticut.

Editorial Reviews

This provocative wordless volume can be ``read'' either from front to back or even from back to front. Either way, it's a startling experience. Its illustrations ``zoom'' out, as though a viewer has rapidly backed away from each. For example, the first painting, of a jagged-edged red shape, turns out to be a detail of a rooster's comb; as the pages turn, the bird diminishes in importance, until the barn where he stands is shown to be a toy on a magazine's cover. That magazine dangles from the hand of a dozing boy, who himself becomes but a smudge on an advertising billboard. These shifts in perspective repeat until the book abandons earth altogether. The last image is a tiny white sphere-our planet-against a night sky. The bold color and level of detail in Banyai's cartoons recall ``Prince Valiant'' or another of the ``realistic'' Sunday comics. If the concept is not wholly new, the execution is superior. Readers are in for a perpetually surprising-and even philosophical-adventure. All ages. (Mar.)

Publishers Weekly - Publisher's Weekly

PreS-Gr 3-This wordless picture book re-creates the effect of a camera lens zooming out. For example, one illustration shows a boy on a cruise ship, the next shows him from a distance, and the next reveals the whole ship. Finally, the viewpoint moves back farther and it turns out that the ship is actually a poster on a bus. The perspective continues to recede, revealing the bus as an image on a television screen. Three pages later, viewers see that the person watching TV is drawn on a postage stamp. The final picture shows a view of Earth from space. To heighten the effect, all of the full-color illustrations appear on the recto, while each verso is completely black. It's fun to watch the transition in perceptions as a farm becomes a toy, the girl playing with it is on a magazine cover, etc. The novelty soon wears off, however, and nothing else about the book is memorable. The paintings themselves are not particularly interesting and would not stand alone well. David Wiesner's Free Fall (Lothrop, 1988), David Macaulay's Black and White (Houghton, 1990), and Ann Jonas's Reflections (Greenwillow, 1987) use visual tricks, but also have richer artwork and more involving action.-Steven Engelfried, West Linn Library, OR

School Library Journal

Beginning with a close-up of a rooster's comb, each picture zooms out to give a more distant perspective; for example, the "camera" zooms out to show increasingly distant figures of children watching the rooster. Then, a large hand appears, showing that the scene was not depicting a "real" farm, but a toy farm set. But zoom out a few more times, and the scene reveals that the picture of the girl playing with the farm set is "really" on the magazine held by a boy, who's sleeping in a chair, which is by a pool, which is on an ocean liner, which is out at sea--no, wait--that" picture is on a cruise-line poster on the side of a city bus, but "that" picture is on a television screen in the Arizona desert . . . and so on until the earth is shown from above, growing smaller with each turn of the page. The final scene is one white dot on a black page. Clear-cut paintings outlined in ink appear on each right-hand page; the left-hand pages are black. Not a story, but an "idea" book, it makes the viewer ask, "What am I really seeing here?" This clever picture book could be intriguing or irritating, depending on the viewer's frame of mind, but children will find it worth a look. Once, anyway.

Carolyn Phelan

"Readers are in for a perpetually surprising-and even philosophical-adventure,"—Publisher's Weekly, starred review

"This book has the fascinating appeal of such works of visual trickery as the Waldo and Magic Eye books."—Kirkus Reviews

From the Publisher